Christopher Marlowe and the Renaissance of Tragedy

Autorentext
Douglas Cole has published four collections of poetry. His work appears in journals such as The Chicago Quarterly Review, Chiron, The Galway Review, The Pinyon Review, Solstice, Eastern Iowa Review, Kentucky Review, Wisconsin Review, and Slipstream. He has been nominated for a Pushcart and Best of the Net, and has received the Leslie Hunt Memorial Prize in Poetry; the Best of Poetry Award from Clapboard House; First Prize in the "Picture Worth 500 Words" from Tattoo Highway. His website is douglastcole.com.

Klappentext
Assesses the consequences of Marlowe's life in the theatre: how his plays transformed the literary traditions of his time and how they helped redefine the themes of tragedy.

Zusammenfassung
This work focuses on Marlowe's works as an index of the major transformation of Elizabethan theatrical practices. Intended as an introduction to the subject, this book provides an insightful approach to Marlowe's work and the study of Elizabethan thought and theatre.

Inhalt
Series Foreword by Josh Beer, Christopher Innes, and Simon Williams Prologue Chronology Matters of Life and Death The World of the Theatre in the Reign of Elizabeth Dido, Queen of Carthage: Tragedy in the Classical Tradition Tamburlaine the Great: Tragical Discourse and Spectacle Machiavellian Tragedy: The Massacre at Paris and The Jew of Malta Edward II: Tragedy in the De Casibus Tradition Doctor Faustus: Tragedy in the Allegorical Tradition Marlowe's Legacy to Tragedy Appendix A: Thomas Kyd's Accusations of Marlowe Appendix B: Richard Baines' Note Works Cited Index

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