György Ligeti

Autorentext
Louise Duchesneau, Wolfgang Marx

Klappentext
The combination of new insights into Ligeti by people who knew him with new analytical approaches will make this a core publication not only for Ligeti scholars, but also for readers interested in post-war music history and in Hungarian culture.


Inhalt
Introduction "We play with the music and the music plays with us." Sándor Veress and his student György Ligeti - Friedemann Sallis Transformational Ostinati in György Ligeti's Sonatas for Solo Cello and Solo Viola - Benjamin Dwyer Magicians of Sound - Seeking Ligeti's Inspiration in the Poetry of Sándor Weöres - Ildikó Mándi-Fazekas and Tiborc Fazekas "Make Room for the Grand Macabre!" The Concept of Death in György Ligeti's Oeuvre - Continuum, Chaos and Metronomes - A Fractal Friendship - Heinz-Otto Peitgen A Kinship Foreseen: Ligeti and African Music. Simha Arom in Conversation - Simha Arom "Play it like Bill Evans": György Ligeti and Recorded Music - Louise Duchesneau Rules and Regulation: Lessons from Ligeti's Compositional Sketches - Jonathan W. Bernard À qui un hommage? The Genesis of the Piano Concerto and Horn Trio - Richard Steinitz Craft and Aesthetics - The Teacher György Ligeti - Wolfgang-Andreas Schultz The Hamburg Composition Class - Manfred Stahnke The Bigger Picture: Ligeti's Music and the Films of Stanley Kubrick - Ciarán Crilly Invented Homelands: Ligeti's Orchestras - Paul Griffiths

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