Past and Present

James Chapman is Senior Lecturer in Film and Television History, The Open University. His titles include 'The British at War', 'Licence to Thrill: A Cultural History of the James Bond Films 'Saints and Avengers', all I.B. Tauris Klappentext This groundbreaking book by one of Britain's leading film historians is the first to take on this major genre in all its complexity. It takes to heart Ken Loach's view that "the only reason to make films that are a reflection on history is to talk about the present." With this proposition as his starting point, James Chapman examines the place of historical films in British cinema history and film culture. Through in-depth case studies of fourteen key films, from "Henry V" and "Zulu" to "Chariots of Fire" and "Elizabeth, " he analyzes the themes they present, including gender, ethnicity, militarism and and imperialism--throughout exploring their dialectical relationship between past and present and how they project images and ideologies of "Britishness" to audiences in the UK and North America.Looking closely at the issues that they present, from gender, class and ethnicity to militarism and imperialism, he also discusses controversies over historical accuracy, and the ways in which devices such as voice overs, title captions, and visual references to photographs and paintings assert a sense of historical. Zusammenfassung Looking closely at the issues that they present, from gender, class and ethnicity to militarism and imperialism, he also discusses controversies over historical accuracy, and the ways in which devices such as voice overs, title captions, and visual references to photographs and paintings assert a sense of historical.

Vorwort
Looking closely at the issues that they present, from gender, class and ethnicity to militarism and imperialism, he also discusses controversies over historical accuracy, and the ways in which devices such as voice overs, title captions, and visual references to photographs and paintings assert a sense of historical.

Klappentext
This groundbreaking book by one of Britain's leading film historians is the first to take on this major genre in all its complexity. It takes to heart Ken Loach's view that "the only reason to make films that are a reflection on history is to talk about the present." With this proposition as his starting point, James Chapman examines the place of historical films in British cinema history and film culture. Through in-depth case studies of fourteen key films, from "Henry V" and "Zulu" to "Chariots of Fire" and "Elizabeth, " he analyzes the themes they present, including gender, ethnicity, militarism and and imperialism--throughout exploring their dialectical relationship between past and present and how they project images and ideologies of "Britishness" to audiences in the UK and North America.

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