From the Clarinet D'Amour to the Contra Bass

Zusatztext This excellent account is succinct and exhaustive Informationen zum Autor An accomplished clarinetist, Albert R. Rice is also curator of the Fiske Museum of Musical Instruments, Claremont, California, and author of The Baroque Clarinet (OUP, 1992) and The Clarinet in the Classical Period (OUP, 2003). Klappentext This book is the first detailed study of the history and development of six large size clarinets: clarinet d'amour, alto clarinet, basset horn, bass clarinet, contra alto clarinet, and contra bass clarinet from 1740 to 1860. The majority of extant instruments are described and discussed, along with extant music of the period. Some of the most memorable and important music written includes Mozart's Serenade in B for thirteen instruments, Beethoven's basset horn soloin The Creatures of Prometheus, and Meyerbeer's bass clarinet solo in Les Huguenots. Zusammenfassung Following his much-acclaimed The Baroque Clarinet and The Clarinet in the Classical Period, Albert R. Rice now turns his signature detailed attention to large clarinets - the clarinet d'amour, the basset horn, the alto clarinet, bass and contra bass clarinets. Each chapter is devoted to a specific instrument, and offers a fascinating insider's look at its defining characteristics, a comprehensive history of its evolution, meticulously-researched information on its makers and aspects of construction, and a thorough discussion of its music. Rice illustrates how the introduction of large clarinets into chamber ensembles, wind bands, and opera orchestras were the results of experiments meant to address specific musical needs. Along the way, he brings to life the musicians, virtuosi, soloists, and orchestral and band musicians, as well as the instruments' makers and the composers from J. C. Bach to Smetana who wrote for them. Based on careful study of primary sources - musical compositions, patents, memoirs and diaries, and unfettered access to historical instruments themselves --Rice's expert presentation is nothing short of exhaustive. From the Clarinet d'Amour to the Contrabass will engage all who love the clarinet and its music....

This excellent account is succinct and exhaustive

Autorentext
An accomplished clarinetist, Albert R. Rice is also curator of the Fiske Museum of Musical Instruments, Claremont, California, and author of The Baroque Clarinet (OUP, 1992) and The Clarinet in the Classical Period (OUP, 2003).

Klappentext
This book is the first detailed study of the history and development of six large size clarinets: clarinet d'amour, alto clarinet, basset horn, bass clarinet, contra alto clarinet, and contra bass clarinet from 1740 to 1860. The majority of extant instruments are described and discussed, along with extant music of the period. Some of the most memorable and important music written includes Mozart's Serenade in B for thirteen instruments, Beethoven's basset horn solo in The Creatures of Prometheus, and Meyerbeer's bass clarinet solo in Les Huguenots.

Zusammenfassung
Following his much-acclaimed The Baroque Clarinet and The Clarinet in the Classical Period, Albert R. Rice now turns his signature detailed attention to large clarinets - the clarinet d'amour, the basset horn, the alto clarinet, bass and contra bass clarinets. Each chapter is devoted to a specific instrument, and offers a fascinating insider's look at its defining characteristics, a comprehensive history of its evolution, meticulously-researched information on its makers and aspects of construction, and a thorough discussion of its music. Rice illustrates how the introduction of large clarinets into chamber ensembles, wind bands, and opera orchestras were the results of experiments meant to address specific musical needs. Along the way, he brings to life the musicians, virtuosi, soloists, and orchestral and band musicians, as well as the instruments' makers and the composers from J. C. Bach to Smetana who wrote for them. Based on careful study of primary sources - musical compositions, patents, memoirs and diaries, and unfettered access to historical instruments themselves --Rice's expert presentation is nothing short of exhaustive. From the Clarinet d'Amour to the Contrabass will engage all who love the clarinet and its music.

Inhalt
LIST OF FIGURES; ABBREVIATIONS, CONVENTIONS, DEFINITIONS, AND MUSICAL NOTATION; INTRODUCTION; 1. Clarinet dAmour and Alto Clarinet and Their Music; 2. Basset Horn; 3. Basset Horn Music; 4. Bass Clarinet, Contra Bass and Contra Alto Clarinets; 5. Bass Clarinet, Contra Bass, and Contra Alto Music; APPENDIX 1. EXTANT CLARINETS DAMOUR, CA. 1740-1850; APPENDIX 2. EXTANT ALTO CLARINETS, CA. 1740-1860; APPENDIX 3. CHECKLIST OF EXTANT BASSET HORNS, CA. 1760-1860; APPENDIX 4. CHECKLIST OF EXTANT BASS CLARINETS, CA. 1750-1860; NOTES; BIBLIOGRAPHY; INDEX

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