Ethics, Evil, and Fiction

'Ethics, Evil, and Fiction' brings together moral philosophy and literary analysis, offering new insights for both. Colin McGinn examines the relations between morality, art, and beauty; argues that morality is an area of objective truth and genuine knowledge; and shows the value of literary texts as sources of moral illumination.

Provocative book... if a teacher were to place the fictional works for independent study onto the syllabus, Ethics, Evil, and Fiction would make for a good terms work in Ethics 'or' Aesthetics.

Autorentext
Colin McGinn is Professor of Philosophy at Rutgers, the State University of New Jersey. He was previously Wilde Reader in Mental Philosophy at the University of Oxford, and before that Reader in Philosophy at University College London. His books include The Character of Mind (1981; second edition 1997), The Subjective View (1982), Mental Content (1989), The Problem of Consciousness (1991), Problems in Philosophy (1993), Minds and Bodies: Philosophers and their Ideas (1997), and Knowledge and Reality: Selected Essays (1999).

Klappentext
McGinn's latest brings together moral philosophy and literary analysis in a way that illuminates both. Setting out to enrich the domain of moral reflection by showing the value of literary texts as sources of moral illumination, McGinn starts by setting out an uncompromisingly realist ethical theory, arguing that morality is an area of objective truth and genuine knowledge. He goes on to address such subjects as the nature of goodness, evil character, and the meaning of monstrosity in the context of an aesthetic theory of virtue, which maintains that goodness of character is the same thing as beauty of soul. Looking at such literary works as Billy Budd, Lolita, The Picture of Dorian Gray, and Frankenstein, as well as examples from film and painting, Ethics, Evil, and Fiction is an original and compelling book by a leading philosopher who is also a critic and novelist.


Zusammenfassung
Ethics, Evil, and Fiction brings together moral philosophy and literary analysis in a way that offers original new insights for both. Its central aim is to enrich the domain of moral reflection, by showing the value of literary texts as sources of moral illumination. Colin McGinn starts by setting out an uncompromisingly realist ethical theory, arguing that morality is an area of objective truth and genuine knowledge. He goes on to address such subjects as the nature of goodness, evil character, and the meaning of monstrosity, in the context of an aesthetic theory of virtue, which maintains that goodness of character is the same thing as beauty of soul. Works discussed include Billy Budd, Lolita, The Picture of Dorian Gray, and Frankenstein; and McGinn draws upon examples from film and painting as well as literature. The originality of his approach, the clarity and forthrightness of his writing, and his conviction that fiction and philosophy have much enlightenment to offer each other, make this a compelling and fascinating book. 'A book which I hope will start a new fashion . . .it has all the qualities modern philosophical writing tends to lack. I found it substantial, absorbing and relevant.' Times Higher Education Supplement

Inhalt
1: Introduction: The Scope of Moral Philosophy
2: Goodness
3: Knowledge of Goodness
4: The Evil Character
5: Beauty of Soul
6: The Picture: Dorian Gray
7: Who Is Frankenstein's Monster?
8: Conclusion: Stories and Morals
Bibliography; Index

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