Artistic Research in Jazz

Autorentext
Michael Kahr is Senior Lecturer at the Institute for Jazz at the University of Music and Performing Arts Graz, Austria as well as Dean of Music Faculty and Head of Master Studies at the Jam Music Lab University in Vienna, Austria.

Klappentext
This book presents the recent positions, theories, and methods of artistic research in jazz, inviting readers to critically engage in and establish a sustained discourse regarding the theoretical, methodological, and analytic perspectives in the field of artistic practice-as-research.

Inhalt
Artistic Research in Jazz: An Introduction Michael KahrPart I: Improvisation, Theory, and History1. Improvising Artistic Research Marcel Cobussen2. Improvising Touch: Musical Improvisation Considered as a Tactile PracticeVincent Meelberg3. Mapping Jazz's Affect: Implications for Music Theory and AnalysisChris Stover4. Artistic Research in Jazz: Historical ContextsMichael KahrPart II: Institutional and Pedagogical Considerations5. Wordplay: Negotiating the Conservatory 'Culture Clash'Petter Frost Fadnes6. The Lessons of Jazz: What We Teach When We Teach Jazz in CollegeTracy McMullen 7. It Don't Mean a Thing Without My Web Fan Base Thing: A Dance of Cultural Relevancy in Jazz Education Culture TodayWilliam C. BanfieldPart III: Specific Projects8. Silent Groove, Frames and Applied Improvisation in Miles Davis' "Shhh/Peaceful" and austraLYSIS' "Silent Waves": Practice-led Research Beckons to Research-led PracticeRoger T. Dean 9. Analysis and Observations of Pre-learnt and Idiosyncratic Elements in Improvisation: A Methodology for Artistic Research in JazzRobert L. Burke 10. Articulating Musical Practice and Research: Notes on a South African Recording ProjectMarc Duby11. Embodied Hope: An Empathically Creative Approach to Contemporary Jazz Andrew Bain

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