Funnybooks

"Funnybooks is the crowning achievement of Barrier's illustrious career. . . . Written with clarity, expressiveness, and enthusiasm, this is a book for scholars, historians, practitioners, and fans old and new."

Autorentext
Michael Barrier is the author of Hollywood Cartoons: American Animation in Its Golden Age and The Animated Man: A Life of Walt Disney. He is also coeditor (with Martin Williams) of A Smithsonian Book of Comic-Book Comics and coauthor (with Harvey Kurtzman) of From Aargh! to Zap! Harvey Kurtzman's Visual History of the Comics.

Klappentext
"Way back when the idea of a 'comics scholar' sounded like the punch line to a bad joke, Michael Barrier was a serious historian, a discriminating aesthetician, a trustworthy guide, and an impassioned lover of... funnybooks. His keen and analytic championing of Carl Barks's Donald Duck, Walt Kelly's Pogo, and John Stanley's Little Lulu is revelatory proof not only that comic books are worthy of adult attention but that the most rewarding have often been those aimed at the very youngest readers."Art Spiegelman, comix artist and author of Maus

"If all you know about comic books is their variants on tales of superheroes, prepare to discover how much more 'funnybooks' offered from the beginning. Here is a pioneering look at the people, the stories, and the businesses that brought four-color fun to young readers during and after World War II. Michael Barrier draws back the curtain that has long hidden much of the world of what was once dismissed as kiddie fare. After following the comic-book field in depth for more than half a century, I'm stunned and delighted to find the wealth of information new to me that he now brings to light."Maggie Thompson, writer and editor for three decades of Comics Buyer's Guide

Zusammenfassung
Funnybooks is the story of the most popular American comic books of the 1940s and 1950s, those published under the Dell label. For a time, Dell Comics Are Good Comics was more than a sloganit was a simple statement of fact. Many of the stories written and drawn by people like Carl Barks (Donald Duck, Uncle Scrooge), John Stanley (Little Lulu), and Walt Kelly (Pogo) repay reading and rereading by educated adults even today, decades after they were published as disposable entertainment for children. Such triumphs were improbable, to say the least, because midcentury comics were so widely dismissed as trash by angry parents, indignant librarians, and even many of the people who published them. It was all but miraculous that a few great cartoonists were able to look past that nearly universal scorn and grasp the artistic potential of their medium. With clarity and enthusiasm, Barrier explains what made the best stories in the Dell comic books so special. He deftly turns a complex and detailed history into an expressive narrative sure to appeal to an audience beyond scholars and historians.

Inhalt
List of Illustrations
Preface
Acknowledgments
Introduction: The Very Good Ones

1. Mickey in a Magazine
2. Oskar Lebeck Meets Walt Kelly
3. Whitman, K.K., and Dell
4. Learning on the Job in L.A.
5. A Feel for Walt Kelly's Stuff
6. Animal Magnetism
7. Cartoon Conundrums
8. Carl Barks Makes His Break
9. Barks Becomes the Duck Man
10. The Workman: Gaylord DuBois
11. The Observer: John Stanley
12. I Am a Backwoods Bumpkin
13. Pure Corn at Disney's
14. Special Talents
15. Barks Masters His Medium
16. An Arena for All the Passions
17. Animal Kingdoms
18. Walt Kelly Branches Out
19. Strong-Handed Friends
20. Carl Barks: The Virtuoso
21. Walt Kelly Escapes
22. Oskar Lebeck in Exile
23. Manifest Destiny
24. Uncle Scrooge: Play Money
25. Carl Barks in Purgatory
26. The Slow Fade
27. Disasters

Epilogue: Can These Bones Live?
Abbreviations
Notes
Index

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