Ingres and his Critics

This book examines the critical writing and journalistic reportage on Jean-Auguste-Dominque Ingres.

Klappentext
Spanning his renunciation of the Salon in 1834 until his large retrospective at the crucial 1855 Universal Exposition, this book examines the critical writing and journalistic reportage on Jean-Auguste-Dominque Ingres. It demonstrates how Ingres shaped his career in the rapidly evolving art world of mid-nineteenth century Paris. While enjoying the benefits of his affiliation with the Academy, the artist also pursued certain modes of presentation, most notably the single-artist exhibition and illustrated monograph, through which he distanced himself from the embattled world of artistic officialdom.

Zusammenfassung
This book examines the critical writing and journalistic reportage on Jean-Auguste-Dominque Ingres, from the time of his renunciation of the Salon in 1834 until his large retrospective at the 1855 Universal Exposition, the crucial middle decades of his career.

Inhalt
1. Le Martyre de Saint Symphorien at the 1834 Salon; 2. La Stratonice; 3. La Gloire a Domicile: the studio exhibitions of 1841-1842; 4. The painter behind the canvas; 5. The oeuvre de M. Ingres.

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