The Monster in the Garden

The Monster in the Garden

Einband:
Fester Einband
EAN:
9780812247558
Untertitel:
The Grotesque and the Gigantic in Renaissance Landscape Design
Genre:
Kunst
Autor:
Luke Morgan
Herausgeber:
University of Pennsylvania Press
Anzahl Seiten:
256
Erscheinungsdatum:
29.10.2015
ISBN:
978-0-8122-4755-8

Informationen zum Autor Luke Morgan is Senior Lecturer in Art History and Theory at Monash University. He is author of Nature as Model: Salomon de Caus and Early Seventeenth-Century Landscape Design. Klappentext Luke Morgan is Senior Lecturer in Art History and Theory at Monash University. He is author of Nature as Model: Salomon de Caus and Early Seventeenth-Century Landscape Design. Zusammenfassung In The Monster in the Garden! Luke Morgan develops a new conceptual model of Renaissance landscape design! arguing that the monster was a key figure in Renaissance culture and that the incorporation of the monstrous into gardens was not incidental but an essential feature. Inhaltsverzeichnis Introduction: Reframing the Renaissance Garden Chapter 1. The Legibility of Landscape: From Fascism to Foucault Chapter 2. The Grotesque and the Monstrous Chapter 3. A Monstruary: The Excessive, the Deficient, and the Hybrid Chapter 4. "Rare and Enormous Bones of Huge Animals": The Colossal Mode Chapter 5. "Pietra Morta, in Pietra Viva": The Sacro Bosco Conclusion: Toward the Sublime Notes Bibliography Index Acknowledgments

Autorentext
Luke Morgan

Zusammenfassung
In The Monster in the Garden, Luke Morgan develops a new conceptual model of Renaissance landscape design, arguing that the monster was a key figure in Renaissance culture and that the incorporation of the monstrous into gardens was not incidental but an essential feature.

Inhalt
Introduction: Reframing the Renaissance Garden
Chapter 1. The Legibility of Landscape: From Fascism to Foucault
Chapter 2. The Grotesque and the Monstrous
Chapter 3. A Monstruary: The Excessive, the Deficient, and the Hybrid
Chapter 4. "Rare and Enormous Bones of Huge Animals": The Colossal Mode
Chapter 5. "Pietra Morta, in Pietra Viva": The Sacro Bosco
Conclusion: Toward the Sublime
Notes
Bibliography
Index
Acknowledgments


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