Godfather

Godfather

Einband:
Fester Einband
EAN:
9780813123042
Untertitel:
The Intimate Francis Ford Coppola
Genre:
Kunst
Autor:
Gene D Phillips
Herausgeber:
University Press Of Kentucky
Anzahl Seiten:
380
Erscheinungsdatum:
16.04.2004
ISBN:
978-0-8131-2304-2

Informationen zum Autor Gene D. Phillips is a professor of film history and modern literature at Loyola University. He is the author of numerous books, including Creatures of Darkness: Raymond Chandler, Detective Fiction, and Film Noir and Godfather: The Intimate Francis Ford Coppola. Klappentext WITH A FOREWORD BY WALTER MURCH Gene Phillips blends biography, studio history, and film criticism to complete the most comprehensive work on Coppola ever written. The force behind such popular and critically acclaimed films as Apocalypse Now and the Godfather trilogy, Coppola has imprinted his distinct style on each of his movies and on the landscape of American popular culture. In Godfather , Phillips argues that Coppola has repeatedly bucked the Hollywood "factory system" in an attempt to create distinct films that reflect his own artistic vision-often to the detriment of his career and finances. Phillips conducted interviews with the director and his colleagues and examined Coppola's production journals and screenplays. Phillips also reviewed rare copies of Coppola's student films, his early excursions into soft-core pornography, and his less celebrated productions such as One from the Heart and Tucker: The Man and His Dream . The result is the definitive assessment of one of Hollywood's most enduring and misunderstood mavericks. Zusammenfassung WITH A FOREWORD BY WALTER MURCH Gene Phillips blends biography, studio history, and film criticism to complete the most comprehensive work on Coppola ever written.

Klappentext
WITH A FOREWORD BY WALTER MURCH Gene Phillips blends biography, studio history, and film criticism to complete the most comprehensive work on Coppola ever written. The force behind such popular and critically acclaimed films as Apocalypse Now and the Godfather trilogy, Coppola has imprinted his distinct style on each of his movies and on the landscape of American popular culture. In Godfather , Phillips argues that Coppola has repeatedly bucked the Hollywood "factory system" in an attempt to create distinct films that reflect his own artistic vision-often to the detriment of his career and finances. Phillips conducted interviews with the director and his colleagues and examined Coppola's production journals and screenplays. Phillips also reviewed rare copies of Coppola's student films, his early excursions into soft-core pornography, and his less celebrated productions such as One from the Heart and Tucker: The Man and His Dream . The result is the definitive assessment of one of Hollywood's most enduring and misunderstood mavericks.


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