Dead Man

The book follows the narrative and picks out some of the stand-out cameos as well as some of the choice of dialogue, music, style and violence within. Just another good choice from the BFI/Palgrave on another solid film with heavy content. Jonathan Rosenbaum is the film critic of the Chicago Reader . Among his books are Placing Movies (1995); Movies as Politics (1997); and a study of Greed (1993) in the BFI Film Classics series. When it was released, "Dead Man" puzzled many audiences and critics. Here, the author argues that the film is both a quantum leap and a logical step in the director's career, and it's a film that speaks powerfully of contemporary concerns. Zusammenfassung When it was released, "Dead Man" puzzled many audiences and critics. Here, the author argues that the film is both a quantum leap and a logical step in the director's career, and it's a film that speaks powerfully of contemporary concerns. Inhaltsverzeichnis Acknowledgments1. Jim Jarmusch as American Independent, Dead Man as Deal-breaker2. The Story3. On Tobacco4. On Violence5. On Music6. On the Acid Western7. Frontier Poetry8. ClosureAppendix: Aside on Authorship and Methods of CompositionNotesCreditsBibliography

Autorentext
Jonathan Rosenbaum is the film critic of the Chicago Reader. Among his books are Placing Movies (1995); Movies as Politics (1997); and a study of Greed (1993) in the BFI Film Classics series.

Klappentext
When it was released, "Dead Man" puzzled many audiences and critics. Here, the author argues that the film is both a quantum leap and a logical step in the director's career, and it's a film that speaks powerfully of contemporary concerns.


Inhalt
Acknowledgments 1. Jim Jarmusch as American Independent, Dead Man as Deal-breaker 2. The Story 3. On Tobacco 4. On Violence 5. On Music 6. On the Acid Western 7. Frontier Poetry 8. Closure Appendix: Aside on Authorship and Methods of Composition Notes Credits Bibliography

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