Classical Music in the German Democratic Republic

Approaches the topic of classical music in the GDR from an interdisciplinary perspective, questioning the assumption that classical music functioned purely as an ideological support for the state.

Autorentext
Kyle Frackman, Larson Powell

Inhalt
Introduction: Music and Heritage in the German Democratic Republic Provincialism, Modernity, and the Classical Heritage: The Administrative Structure of the GDR and the Situation of Music Production Classicism as Anti-Fascist Heritage: Realism and Myth in Ernst Hermann Meyer's Mansfelder Oratorium (1950) Positioning Georg Knepler in the Musicological Discourse of the GDR Ehrt euren Deutschen Meister: Reproducing Wagner in the GDR The Embodiment of Collective Memory in Neue Odyssee Marxism and Feminism in Ruth Berghaus's Staging of Don Giovanni Beyond the Gewandhaus: Mahler and the GDR Hanns Eisler's Funeral and Cultures of Commemoration in the GDR Exile-Remigration-Socialist Realism: The Role of Classical Music in the Works of Paul Dessau "What a Satisfying Task for a Composer!": Paul Dessau's Music for The German Story (.Du und mancher Kamerad) Friedrich Schenker and the Third Way A Prism of East German Music: Lothar Voigtländer Notes on the Contributors Index

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