Desires for Reality

As with many aspects of European cultural life, film was galvanized and transformed by the revolutionary fervor of 1968. This groundbreaking study provides a full account of the era's cinematic crises, innovations, and provocations, as well as the social and aesthetic contexts in which they appeared. The author mounts a genuinely fresh analysis of a contested period in which everything from the avant-garde experiments of Godard, Pasolini, Schroeter, and Fassbinder to the "low" cinematic genres of horror, pornography, and the Western reflected the cultural upheaval of youth in revolt-a cinema for the barricades.

Autorentext
Benjamin Halligan is the Director of the Doctoral College of the University of Wolverhampton. His publications include Michael Reeves (2003), and the co-edited collections The Music Documentary: Acid Rock to Electropop (2013) and The Arena Concert: Music, Media and Mass Entertainment (2015).

Inhalt
List of Illustrations
Acknowledgments Chapter 1. All All All Chapter 2. Prehistory from Late Neo-Realism to the New Waves
Chapter 3. Crises of Post-Bazinian Realism
Chapter 4. Film and Revolutionism Conclusion: Seized, Freed, Remade and Deployed Filmography
References
Index
 

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