Protest Cultures

Zusatztext This volume definitely provides an important starting point: It helps explain how different protest movements construct their own reality, use media in novel ways, organize actions across all spheres of public life, and involve various representations, their very own language, as well as different forms of rule breaking. And it repeatedly reminds us how much work there still is to be donehow little we actually know about why and how protest occurs. • German Politics and Society Informationen zum Autor Joachim Scharloth is a Professor at School of International Liberal Studies at Waseda University, Japan. His publications include 1968 in Europe: A History of Protest and Activism, 1956-1977 (2008) and Between Prague Spring and French May: Opposition and Revolt in Europe, 1960-1980 (2011), both co-edited with Martin Klimke. Klappentext Protest is a ubiquitous and richly varied social phenomenon, one that finds expression not only in modern social movements and political organizations but also in grassroots initiatives, individual action, and creative works. It constitutes a distinct cultural domain, one whose symbolic content is regularly deployed by media and advertisers, among other actors. Yet within social movement scholarship, such cultural considerations have been comparatively neglected. Protest Cultures: A Companion dramatically expands the analytical perspective on protest beyond its political and sociological aspects. It combines cutting-edge synthetic essays with concise, accessible case studies on a remarkable array of protest cultures, outlining key literature and future lines of inquiry. Zusammenfassung Protest is a ubiquitous and richly varied social phenomenon! one that finds expression not only in modern social movements and political organizations but also in grassroots initiatives! individual action! and creative works. It constitutes a distinct cultural domain! one whose symbolic content is regularly deployed by media and advertisers! among other actors. Yet within social movement scholarship! such cultural considerations have been comparatively neglected. Protest Cultures: A Companion dramatically expands the analytical perspective on protest beyond its political and sociological aspects. It combines cutting-edge synthetic essays with concise! accessible case studies on a remarkable array of protest cultures! outlining key literature and future lines of inquiry. Inhaltsverzeichnis List of Figures List of Tables Tables Acknowledgments Introduction ?Kathrin Fahlenbrach, Martin Klimke, and Joachim Scharloth PART I: PERSPECTIVES ON PROTEST Chapter 1. Protest in Social Movements Donatella Della Porta Chapter 2. Protest Cultures in Social Movements: Dimensions and Functions? Dieter Rucht Chapter 3. Protest in the Research on Sub- and Countercultures? Rupa Huq Chapter 4. Protest as Symbolic Politics Jana Günther Chapter 5. Protest and Lifestyle Nick Crossley Chapter 6. Protest as Artistic Expression T.V. Reed Chapter 7. Protest as a Media Phenomenon Kathrin Fahlenbrach PART II: MORPHOLOGY OF PROTEST Chapter 8. Ideologies/Cognitive Orientation Ruth Kinna Chapter 9. Frames and Framing Processes David A. Snow ...

Autorentext
Joachim Scharloth is a Professor at School of International Liberal Studies at Waseda University, Japan. His publications include 1968 in Europe: A History of Protest and Activism, 1956-1977 (2008) and Between Prague Spring and French May: Opposition and Revolt in Europe, 1960-1980 (2011), both co-edited with Martin Klimke.

Klappentext
Protest is a ubiquitous and richly varied social phenomenon, one that finds expression not only in modern social movements and political organizations but also in grassroots initiatives, individual action, and creative works. It constitutes a distinct cultural domain, one whose symbolic content is regularly deployed by media and advertisers, among other actors. Yet within social movement scholarship, such cultural considerations have been comparatively neglected. Protest Cultures: A Companion dramatically expands the analytical perspective on protest beyond its political and sociological aspects. It combines cutting-edge synthetic essays with concise, accessible case studies on a remarkable array of protest cultures, outlining key literature and future lines of inquiry.

Inhalt
List of Figures
List of Tables
Tables
Acknowledgments Introduction
Kathrin Fahlenbrach, Martin Klimke, and Joachim Scharloth PART I: PERSPECTIVES ON PROTEST Chapter 1. Protest in Social Movements
Donatella Della Porta Chapter 2. Protest Cultures in Social Movements: Dimensions and Functions
Dieter Rucht Chapter 3. Protest in the Research on Sub- and Countercultures
Rupa Huq Chapter 4. Protest as Symbolic Politics
Jana Günther Chapter 5. Protest and Lifestyle
Nick Crossley Chapter 6. Protest as Artistic Expression
T.V. Reed Chapter 7. Protest as a Media Phenomenon
Kathrin Fahlenbrach PART II: MORPHOLOGY OF PROTEST Chapter 8. Ideologies/Cognitive Orientation
Ruth Kinna Chapter 9. Frames and Framing Processes
David A. Snow Chapter 10. Cultural Memory
Lorena Anton Chapter 11. Narratives
Jakob Tanner Chapter 12. Utopia
Laurence Davis Chapter 13. Identity
Natalia Ruiz-Junco and Scott Hunt Chapter 14. Emotions
Deborah B. Gould Chapter 15. Commitment
Catherine Corrigall-Brown PART III: MORPHOLOGY OF PROTEST Chapter 16. Body
Andrea Pabst Chapter 17. Dance as Protest
Eva Aymamí Reñé Chapter 18. Violence/Militancy
Lorenzo Bosi Chapter 19. The Role of Humor in Protest Cultures
Marjolein 't Hart Chapter 20. Fashion in Social Movements
Nicole Doerr Chapter 21. Action's Design
Tali Hatuka Chapter 22. Alternative Media
Alice Mattoni Chapter 23. Graffiti
Johannes Stahl Chapter 24. Posters and Placards
Sascha Demarmels Chapter 25. Images and Imagery of Protest
Kathrin Fahlenbrach Chapter 26. Typography and Text Design
Jürgen Spitzmüller Chapter 27. Political Music and Protest Song
Beate Kutschke PART IV: MORPHOLOGY OF PROTEST: DOMANIS OF PROTEST ACTIONS Chapter 28. The Public Sphere
Simon Teune Chapter 29. Public Space
Tali Hatuka Chapter 30. Everyday Life
Anna Schober Chapter 31. Cyber Space
Paul G. Nixon and Rajash Rawal PART V: MORPHOLOGY OF PROTEST: RE-PRESENTATION OF PROTEST Chapter 32. Witness and Testimony
Eric G. Waggon…

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