Concepts of Creativity in Seventeenth-Century England

Autorentext
Rebecca Herissone, Alan Howard

Klappentext
The first genuinely interdisciplinary study of creativity in early modern England

Zusammenfassung
The first genuinely interdisciplinary study of creativity in early modern England

Inhalt
Introduction - Rebecca Herissone 'Big with New Events and some Unheard Success': Absolutism and Creativity at the Restoration Court - Andrew R. Walkling Creativity on Several Occasions - James A. Winn Author, Musician, Composer: Creator? Figuring Musical Creativity in Print at the Turn of the Seventeenth Century - Kirsten Gibson Published Musical Variants and Creativity: An Overview of John Playford's Role as Editor - Stephanie Carter Space, Text and Creativity in the Late Sixteenth and Seventeenth Centuries - Raphael Hallett The 'Artificial Sceane': The Re-creation of Italian Architecture in John Evelyn's Diary - Anne Hultzsch Telling what is Told: Originality and Repetition in Rubens's English Works - Marina Daiman Plagiarism at the Academy of Ancient Music: A Case Study in Authorship, Style and Judgement - Stephen Rose A meeting of Amateur and Professional: Playford's 'Compendious' Collection of Two-Part Airs, Court-Ayres (1655) - John Cunningham 'Creating' Cato in Early Seventeenth-Century England - Freyja Cox Jensen 'Our Friend Venus Performed to a Miracle': Anne Bracegirdle, John Eccles and Creativity - Amanda Eubanks Winkler Music and Manly Wit in Seventeenth-Century England - Linda Phyllis Austern

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