Hexametrical Genres from Homer to Theocritus

Faraone brings an extraordinary command of everything written in (and about) hexameters from the archaic to the Hellenistic periods: major and minor poetry, inscriptions and incisings, incantations, laments, oracles, and ritual prayers, as well as of their accompanying ritual practices. He very carefully reconstructs individual hexameter genres that pre-existed the epics, were put to use within them, and continued to influence the poetic tradition. The result is a significant revision of how we understand Homeric and Hellenistic composition.

Autorentext
Christopher Athanasious Faraone is the Edward Olson Professor of Classics at University of Chicago. His publications include Ancient Greek Love Magic, The Stanzaic Architecture of Archaic Greek Elegy, and The Getty Hexameters: Poetry, Magic and Mystery in Ancient Greek Selinous

Klappentext
In Hexametrical Genres from Homer to Theocritus, Christopher Faraone discusses a number of short hexametrical genres such as oracles, incantations and laments that do not easily fit the generic models provided by the extant poetry of Hesiod and Homer. In the process, he gives us new insight into their ritual performance, their early history, and how poets from Homer to Theocritus embedded or imitated these genres to enrich their own hexametrical poems--by playing with and sometimes overturning the generic expectations of their audiences or readers. Christopher Faraone combines literary and ritual studies to produce a rich and detailed picture of hexametrical genres performed publicly for gods, such as hymns or laments for Adonis, or other that were performed more privately, such as epithalamia, oracles, or incantations. This volume deals primarily with the recovery of lost or under-appreciated hexametrical genres, which are often left out of modern taxonomies of archaic hexametrical poetry, either because they survive only in fragments or because the earliest evidence for them dates to the classical period.

Zusammenfassung
The book discusses short, non-epic, and under-appreciated hexametrical genres, such as oracles, incantations, and laments, and gains new insight into their ritual performance, their early history, and how poets from Homer to Theocritus embedded or imitated these genres to enrich their own poems.

Inhalt
Chapter One: Introduction Chapter Two: Some Preliminary Soundings Chapter Three: The Chryses Episode as an Epichoric Hymn Chapter Four: Circe's Instructions as a Sibylline Oracle Chapter Five: Helen's Pharmakon as a Disguised Incantation Chapter Six: Like Golden Aphrodite: Female Lament in the Iliad Chapter Seven: Conclusions Appendices: Appendix A: Curse-Prayers in Hexameters Appendix B: Necromantic Prayers in Hexameters Appendix C: Empedocles Goês Appendix D: Early Anthologies of Hexametrical Incantations Appendix E: Instructional Oracles as a Frame for the Hesiodic Calendars Bibliography

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