Narrativische Perspektiven in Wolframs »Willehalm«

This study picks up current debates about perspective and meaning in Wolfram von Eschenbach's »Willehalm«. Adapting Mika Bal's model of narratology, it concentrates on two major complexes - characters and narrator - which it treats as fluid, intersecting entities. The former, uniquely for German narrative genres of the period, emerge as three-dimensional characters whose voices converse with that of a subjective narrator moulded in an era of developing fictionality. The result is a narrative dynamic which represents a vibrant new literary hermeneutic for the vernacular.

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