Death in Classical Hollywood Cinema

Boaz Hagin carries out a philosophical examination of the issue of death as it is represented and problematized in Hollywood cinema of the classical era (1920s-1950s) and in later mainstream films, looking at four major genres: the Western, the gangster film, melodrama and the war film.

Autorentext
BOAZ HAGIN teaches at the Department of Film and Television at Tel Aviv University, Israel. His articles have appeared in Cinema Journal and Camera Obscura, among other publications. He is currently co-writing a book with Thomas Elsaesser on trauma, memory and fantasy in contemporary American cinema.

Inhalt
The Meaning of Death in Classical Hollywood Two Platos: Death, Truth and Knowledge Embodying the Past Melodrama and the Shaping of Desires to Come The Cult of the Dead and Powers of the False A Perpetual Present: Death and the War Film Conclusions: The End of Classical Death Notes Bibliography Index

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