Style and Form in the Hollywood Slasher Film

Style and Form in the Hollywood Slasher Film fills a broad scholastic gap by analysing the elements of narrative and stylistic construction of films in the slasher subgenre of horror that have been produced and/or distributed in the Hollywood studio system from its initial boom in the late 1970s to the present.

Autorentext
Stacey Abbott, University of Roehampton, UK Mark Richard Adams, Brunel University, UK Jessica Balanzategui, University of Melbourne, Australia Gary Bettinson, Lancaster University, UK Wickham Clayton, University for the Creative Arts, Farnham, UK Ian Conrich, University of South Australia Darren Elliott-Smith, University of Hertfordshire, UK Matthew Freeman, Birmingham City University, UK Andrew Patrick Nelson, Montana State University, USA Dana Och, University of Pittsburgh, USA Fran Pheasant-Kelly, University of Wolverhampton, UK David Roche, Université Toulouse Jean Jaurès, France Karra Shimabukuro, University of New Mexico, USA Janet Staiger, University of Texas at Austin, USA

Inhalt
List of Figures and Tables Notes on Contributors Acknowledgments introduction: The Collection Awakes PART I: THE BIRTH, DEATH, AND RESURRECTION OF THE SLASHER FILM 1. (In)Stability of Point of View in and ; David Roche 2. Undermining the Moneygrubbers, or: How I learned to stop worrying and love ; Wickham Clayton 3. I Framed Freddy: Functional Aesthetics in the Series; Karra Shimabukuro 4. and : Re-imagining the Slasher Film Through Urban Gothic; Stacey Abbott PART II: OLDER, DARKER, AND SELF-AWARE 5. Franchise Legacy and Neo-Slasher Conventions in ; Andrew Patrick Nelson 6. Roses are Red, Violence is Too: Exploring Stylistic Excess in ; Mark Richard Adams 7. Puzzles, Contraptions, and the Highly Elaborate Moment: The Inevitability of Death in the Grand Slasher Narratives of the and Series of Films; Ian Conrich 8. The Killer Who Never Was: Complex Storytelling, the Series, and the Shifting Moral Alignment of Puzzle Film Horror; Matthew Freeman 9. Resurrecting ; Gary Bettinson PART III: FORM VS. THEORY 10. Parody, Pastiche and Intertextuality in : Formal and Theoretical Approaches to the Postmodern Slasher; Fran Pheasant-Kelly 11. Crises of Identification in the Supernatural Slasher: The Resurrection of the Supernatural Slasher Villain; Jessica Balanzategui 12. Queer Erotic Aesthetics in Marcus Nispel's (2003); Darren Elliott-Smith 13. Beyond Surveillance: Questions of the Real in the Neo-postmodern Horror Film; Dana Och 14. The Slasher, the Final Girl, and the Anti-Denouement; Janet Staiger Index

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